Modern Greek Drama and Film
  • Home
  • Plays
    • Main Page
    • Alexander the Great
    • Courtyard of Miracles
    • The Egg >
      • The Egg Overview
      • The Egg - Clip 1
      • The Egg - Clip 2
      • The Egg - Clip 3
      • The Egg - Clip 4
      • The Egg - Clip 5
      • The Egg - Clip 6
    • The Match
    • The Moonlight Sonata
    • The Pre-Last of the Monikins
    • With Power from Kifissia
  • Interviews / Presentations
    • Main Page
    • Paris Tacopoulos >
      • Paris Tacopoulos Overview
      • Prepared Response (Clips 1-2)
      • Transition (Clip 3)
      • Student Questions (Clips 4-6)
      • Articles on Monikin
    • Dan Georgakas >
      • Dan Georgakas Overview
      • Introductory Presentation (Clips 1-2)
      • Stella and women in Greece (Clips 3-5)
      • Elia Kazan (Clips 6-8)
      • Greeks and Greek-American images in film (Clips 9-11)
    • Dimitris Kataleifos >
      • Dimitris Kataleifos Overview
      • Introduction (Clip 1)
      • Cinema (Clips 2-7)
      • Cinema vs. Theater (Clips 8-13)
      • New Play (Clips 14-18)
      • Conclusion (Clips 19-20)
    • Periklis Choursoglou >
      • Periklis Choursoglou Overview
      • Personal History (Clip 1)
      • Film History (Clips 2-3)
      • Film Elements (Clips 4-6)
  • Transcripts
    • Drama Transcripts >
      • Alexander Transcript
      • Courtyard Transcript
      • The Egg Transcripts >
        • The Egg - Clip 1
        • The Egg - Clip 2
        • The Egg - Clip 3
        • The Egg - Clip 4
        • The Egg - Clip 5
        • The Egg - Clip 6
      • The Match Transcript
      • Moonlight Sonata Transcript
      • The Pre-Last of the Monikins Text
      • With Power Transcript
    • Interview Transcripts >
      • Paris Tacopoulos Transcript
      • Dimitris Kataleifos >
        • Kataleifos - Introduction
        • Kataleifos - Cinema
        • Kataleifos - Cinema v. Theater
        • Kataleifos - New Play
        • Kataleifos - Conclusion
      • Periklis Choursoglou >
        • Choursoglou - Clip 1
        • Choursoglou - Clip 2
        • Choursoglou - Clip 3
        • Choursoglou - Clip 4
        • Choursoglou - Clip 5
        • Choursoglou - Clip 6
  • User Guide
  • Current Resources

Dan Georgakas - Elia Kazan

Kazan’s political activity 

Question: In your article on Elia Kazan, you state that opinions about Kazan's political activity reflect the critic more than the actual issue itself. What is your opinion about Kazan's decision to name names? Do you think it was selfish or do you believe that it was acceptable because of his (later) distance from the Communist Party? (Tommy Cross)


Kazan's legacy

Question: We discussed in class the critics of Elia Kazan and whether a line should be drawn between what people do in their professional life and their decisions/actions away from the camera. As you have studied Kazan much more than any of us, I am interested in learning your position on the moral question of Kazan's actions with HUAC and what part you think, if any, that should play in his legacy. (Kevin Cordella)


Kazan’s political thoughts

Question: How would you describe the Kazan of Communism and the Kazan that embraced democracy? It seems to me that Kazan took an identity off the shelf. He went with the beliefs and ideas of those by whom he was surrounded. While that may have had a really good influence on his art, to me it really detracts from the true Kazan. Did he ever discover who that really was? (Gerard Farara)
Top of Page
Powered by Create your own unique website with customizable templates.